It produces á very cool jázz sound by á quite unexpected méans.The video is a bit piano-focussed so I thought it might help some guitar players to have a summary from our point of view of the main idea.You may think this is perverse, since the other way is clearly simpler, but in fact that b6 contributes a very strong Harmonic Major sound.
Barry Harris Harmonic Method For Guitar Classical Full Guitar FingeringsYou can find full guitar fingerings for this scale on page 298 of the current version of Scale and Arpeggio Resources -- if its not there, search for the interval map t, t, s, t, s, s, t, s and youll find it. So one wáy to think óf this is 0n a Maj7 typé of chord, pIay the diminished arpéggio built on thé 2, 4, 5 or 7. To start with, he points out that it contains the dominant 7 chord of the relative minor as well as the major keys, which makes for strong chord substitutions like E7-Am7 subbing for C6, and enables us to construct chord-scales like these (notice the different chord qualities that become available). Barry Harris Harmonic Method For Guitar Classical Plus The SameAgain we have an alternative perspective provided by a disjoint cover: the m6 arpeggio plus the same dim7 we used before. ![]() TESTTESTTo contact Rich about any of his teaching services, send email to: rich dot cochrane at-sign bigi dot org dot uk. You can find out about his other activities at richardcochrane.com.
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